Showing posts with label setting. Show all posts
Showing posts with label setting. Show all posts

Monday, June 8, 2009

The Why Behind Setting


Whether you write romance, mystery, fantasy, science fiction or a sub genre, all fiction requires a believable setting. I tend to write character driven fantasy and learning to establish the setting has been an adventure in creativity. In fact, it's the reason behind my creative writing book Pumping Your Muse. In it, I developed a series of exercises that spurred me to consider aspects of a secondary world that may otherwise be overlooked.


Establishing anchors from the real world to your fictional world is key to making your setting believable, whether it is vastly different from reality or just a little different. An anchor is an element readers can relate to that links the real world to your secondary reality. In Beyond the Fifth Gate I established a rural, pre-industrial setting where the people were divided over issues of faith. Amid the setting we learn about family ties, ancient prophecies, divided leadership, a simple life that is ripped apart when a large insectoid race invades and conquers. Young people are taken captive and carried off in a cage on the back of a cart. The anchor—family relationships torn apart; freedoms stripped; it creates a need that transcends from reality to fantasy. This is an emotional anchor. Humans lose their freedom and fight to get it back and the quest is on.


Geographically, the Beyond the Fifth Gate setting challenged me times five. The original setting is the pre-industrial world invaded by a sentient insectoid race. The quest requires the protagonist, Elita, to travel through five mystical gates to free her people. Each gate leads to a different world and Elita has to accomplish her quest during a planetary alignment. She has one week. If she doesn't make it, she'll be trapped in a strange world between gates--for the next 50 years.

In this story, not only did I have to provide anchors from this reality to the fictional reality, but additional anchors were needed to tie one fictional world to the next as the main character traveled through the gates. The setting put parameters in place for the quest. Planets line up in dawn's light and mark the beginning of the quest for freedom. Planets are something we can relate to on this side of reality, and these planets act as an anchor from one world to the next. As they fall out of alignment, they work like the sands in an hourglass to let the reader know time is running out. This aspect of setting is used to add tension, conflict, and keep it clear in the readers' minds that the five worlds are linked.


For readers to accept the stranger aspects of a secondary world you must establish believable physics--the science of matter and energy and their interactions. If something works differently than the real world, you have to make the science or magic clear—not only that it does happen but how it happens. It has to work in the reader's mind. For example, the powers of Kamali are established early on in Beyond the Fifth Gate. When Kamali is present physics change. The star beats brighter and brighter…the floor thrums and…well I better not say too much because I wouldn't want to be a spoiler. Readers know that this deity plays an instrumental part in the opening of the gates and that the gates do lead to other worlds. But they also grow to understand that each portal works differently. Setting continues to play an important role, too, when Elita must bring something along with her from each world if she hopes to defeat the isectoids.


Along with physics, other specifics readers relate to in regards to setting include things like:

*Government

*Legal systems

*Economy

*Religion


As you develop these aspects of your world stop and ask yourself "why". Why is this government in place? Why do the people react to it the way they do? When the insectoid race takes over Elita's world, they are the new government. The opening scene establishes not only the world's setting but the "why" behind the reason humans don't honor the government. Lines are drawn, readers take sides and they learn to watch for the light to appear in the eastern foothills. Effective setting works with the characters to move the story forward and answers the question why.

Tuesday, August 26, 2008

Fantasy Writing - The Setting


The Fantasy world can be on any world, in any climate, but invariably the classic form of an agrarian landscape, free of manufactured pollution comes to mind. Popular demands tend to prefer the simple lifestyle of pre-industrial society. Understandably, we seek to escape back to the good old days, so writers make use of the Arcadian idyll where life has the ability to be perfect.

Fantasy writers create worlds using their own style and voice. The process follows a path of logic. Even within similar fantasy settings, distinct points of diversity set scenarios apart. Carefully chosen words change the flavor of the backdrop. This backdrop establishes components that make up everything from authority structures, belief systems and even the geography of the landscape. These details lay the groundwork for a Pre-modern society and culture. Environment, learned behaviors, social organizations and beliefs all influence this culture. Adding culture gives the characters a structure within which to make choices, take sides and interact.

Religion

In a pre-modern fantasy world, religion is often tied in with government structure. In such a culture, laws reflect the religion's belief in right and wrong. For example, if the religion believes it is wrong to speak of those who have died, it would not be uncommon to find a law in the fantasy world that enacts punishment if one of its citizens speaks of the dead.

Religion can be based on superstition or reality. The fun of writing fantasy is that the writer can create a bizarre belief system as long as it makes sense within the plot and fantasy characters' lives.

Magic

Every fantasy contains some element of magic. It's part of what makes the world work. It doesn't have to be called magic, but the element must exist. Unlike Science Fiction, the magic in fantasy is not based on science but on a form of mystical magic that still must make sense to the reader. A base line of how and why it works must be drawn.

In my novel Windwalker, an ancient necklace holds healing properties. The history of the magical properties is passed from generation to generation through the oral telling of history. However, the magic of the necklace only works for characters from a specific bloodline. It's not called a magic necklace, but readers not only understand its powers, but also know when it will work and when it won't.

Language

Language reflects origins. Fantasy writers develop different regions and languages for only one reason--to bring the two cultures together in some fashion within the plot.

Does your fantasy world have one language or more? Learning to communicate is a vehicle for character growth. Fantasy characters that survive a hostile environment only to find one other survivor that can't speak their language adds elements of conflict while forcing the two characters to work together.

Government

Who is in power? How did they get to this place of prominence? When developing a pre-modern fantasy world, government plays an important role. Without structure, every character is free to do what is right from their point of view. However, if the government treats its citizens unfairly, it opens the door to a power struggle on some level. How the quest for justice develops and what it involves will depend on the government's structure. Here are a few ideas to get you started:

bullet Are indigenous people ruled by outsiders or enemies?
bullet Do settlements or colonies populate the fantasy world?
bullet How is the country, state or area divided?
bullet Is the government a democracy with rights exercised by the people?
bullet Are representatives elected?
bullet Is the government a monarchy?
bullet Does a patriarch or matriarch sit on the throne?
bullet Is there only one kingdom or several friendly or rival kingdoms?

Get Started Writing Fantasy

These basic elements will get you started. Plan to set aside time to write each day to develop the habit of writing. Have fun, take a class and hone your skill.Take a moment and pop over to epress-online blog and you can get a preview of my novel Windwalker.

My second young adult fantasy, Beyond the Fifth Gate, is due out in September. I'll keep you all posted.